Saturday, April 21, 2012

Friday, April 20, 2012

The 25 most difficult questions you'll be asked on a job interview

Being prepared is half the battle.

If you are one of those executive types unhappy at your present post and embarking on a New Year's resolution to find a new one, here's a helping hand. The job interview is considered to be the most critical aspect of every expedition that brings you face-to- face with the future boss. One must prepare for it with the same tenacity and quickness as one does for a fencing tournament or a chess match.

This article has been excerpted from "PARTING COMPANY: How to Survive the Loss of a Job and Find Another Successfully" by William J. Morin and James C. Cabrera. Copyright by Drake Beam Morin, inc. Publised by Harcourt Brace Jovanovich.

Morin is chairman and Cabrera is president of New York-based Drake Beam Morin, nation's major outplacement firm, which has opened offices in Philadelphia.

1. Tell me about yourself.

Since this is often the opening question in an interview, be extracareful that you don't run off at the mouth. Keep your answer to a minute or two at most. Cover four topics: early years, education, work history, and recent career experience. Emphasize this last subject. Remember that this is likely to be a warm-up question. Don't waste your best points on it.

2. What do you know about our organization?

You should be able to discuss products or services, revenues, reputation, image, goals, problems, management style, people, history and philosophy. But don't act as if you know everything about the place. Let your answer show that you have taken the time to do some research, but don't overwhelm the interviewer, and make it clear that you wish to learn more.

You might start your answer in this manner: "In my job search, I've investigated a number of companies.

Yours is one of the few that interests me, for these reasons..."

Give your answer a positive tone. Don't say, "Well, everyone tells me that you're in all sorts of trouble, and that's why I'm here", even if that is why you're there.

3. Why do you want to work for us?

The deadliest answer you can give is "Because I like people." What else would you like-animals?

Here, and throughout the interview, a good answer comes from having done your homework so that you can speak in terms of the company's needs. You might say that your research has shown that the company is doing things you would like to be involved with, and that it's doing them in ways that greatly interest you. For example, if the organization is known for strong management, your answer should mention that fact and show that you would like to be a part of that team. If the company places a great deal of emphasis on research and development, emphasize the fact that you want to create new things and that you know this is a place in which such activity is encouraged. If the organization stresses financial controls, your answer should mention a reverence for numbers.

If you feel that you have to concoct an answer to this question - if, for example, the company stresses research, and you feel that you should mention it even though it really doesn't interest you- then you probably should not be taking that interview, because you probably shouldn't be considering a job with that organization.

Your homework should include learning enough about the company to avoid approaching places where you wouldn't be able -or wouldn't want- to function. Since most of us are poor liars, it's difficult to con anyone in an interview. But even if you should succeed at it, your prize is a job you don't really want.

4. What can you do for us that someone else can't?

Here you have every right, and perhaps an obligation, to toot your own horn and be a bit egotistical. Talk about your record of getting things done, and mention specifics from your resume or list of career accomplishments. Say that your skills and interests, combined with this history of getting results, make you valuable. Mention your ability to set priorities, identify problems, and use your experience and energy to solve them.

5. What do you find most attractive about this position? What seems least attractive about it?

List three or four attractive factors of the job, and mention a single, minor, unattractive item.

6. Why should we hire you?

Create your answer by thinking in terms of your ability, your experience, and your energy. (See question 4.)

7. What do you look for in a job?

Keep your answer oriented to opportunities at this organization. Talk about your desire to perform and be recognized for your contributions. Make your answer oriented toward opportunity rather than personal security.

8. Please give me your defintion of [the position for which you are being interviewed].

Keep your answer brief and taskoriented. Think in in terms of responsibilities and accountability. Make sure that you really do understand what the position involves before you attempt an answer. If you are not certain. ask the interviewer; he or she may answer the question for you.

9. How long would it take you to make a meaningful contribution to our firm?

Be realistic. Say that, while you would expect to meet pressing demands and pull your own weight from the first day, it might take six months to a year before you could expect to know the organization and its needs well enough to make a major contribution.

10. How long would you stay with us?

Say that you are interested in a career with the organization, but admit that you would have to continue to feel challenged to remain with any organization. Think in terms of, "As long as we both feel achievement-oriented."

11. Your resume suggests that you may be over-qualified or too experienced for this position. What's Your opinion?

Emphasize your interest in establishing a long-term association with the organization, and say that you assume that if you perform well in his job, new opportunities will open up for you. Mention that a strong company needs a strong staff. Observe that experienced executives are always at a premium. Suggest that since you are so wellqualified, the employer will get a fast return on his investment. Say that a growing, energetic company can never have too much talent.

12. What is your management style?

You should know enough about the company's style to know that your management style will complement it. Possible styles include: task oriented (I'll enjoy problem-solving identifying what's wrong, choosing a solution and implementing it"), results-oriented ("Every management decision I make is determined by how it will affect the bottom line"), or even paternalistic ("I'm committed to taking care of my subordinates and pointing them in the right direction").

A participative style is currently quite popular: an open-door method of managing in which you get things done by motivating people and delegating responsibility.

As you consider this question, think about whether your style will let you work hatppily and effectively within the organization.

13. Are you a good manager? Can you give me some examples? Do you feel that you have top managerial potential?

Keep your answer achievementand ask-oriented. Rely on examples from your career to buttress your argument. Stress your experience and your energy.

14. What do you look for when You hire people?

Think in terms of skills. initiative, and the adaptability to be able to work comfortably and effectively with others. Mention that you like to hire people who appear capable of moving up in the organization.

15. Have you ever had to fire people? What were the reasons, and how did you handle the situation?

Admit that the situation was not easy, but say that it worked out well, both for the company and, you think, for the individual. Show that, like anyone else, you don't enjoy unpleasant tasks but that you can resolve them efficiently and -in the case of firing someone- humanely.

16. What do you think is the most difficult thing about being a manager or executive?

Mention planning, execution, and cost-control. The most difficult task is to motivate and manage employess to get something planned and completed on time and within the budget.

17. What important trends do you see in our industry?

Be prepared with two or three trends that illustrate how well you understand your industry. You might consider technological challenges or opportunities, economic conditions, or even regulatory demands as you collect your thoughts about the direction in which your business is heading.

18. Why are you leaving (did you leave) your present (last) job?

Be brief, to the point, and as honest as you can without hurting yourself. Refer back to the planning phase of your job search. where you considered this topic as you set your reference statements. If you were laid off in an across-the-board cutback, say so; otherwise, indicate that the move was your decision, the result of your action. Do not mention personality conflicts.

The interviewer may spend some time probing you on this issue, particularly if it is clear that you were terminated. The "We agreed to disagree" approach may be useful. Remember hat your references are likely to be checked, so don't concoct a story for an interview.

19. How do you feel about leaving all your benefits to find a new job?

Mention that you are concerned, naturally, but not panicked. You are willing to accept some risk to find the right job for yourself. Don't suggest that security might interest you more than getting the job done successfully.

20. In your current (last) position, what features do (did) you like the most? The least?

Be careful and be positive. Describe more features that you liked than disliked. Don't cite personality problems. If you make your last job sound terrible, an interviewer may wonder why you remained there until now.

21. What do you think of your boss?

Be as positive as you can. A potential boss is likely to wonder if you might talk about him in similar terms at some point in the future.

22. Why aren't you earning more at your age?

Say that this is one reason that you are conducting this job search. Don't be defensive.

23. What do you feel this position should pay?

Salary is a delicate topic. We suggest that you defer tying yourself to a precise figure for as long as you can do so politely. You might say, "I understand that the range for this job is between $______ and $______. That seems appropriate for the job as I understand it." You might answer the question with a question: "Perhaps you can help me on this one. Can you tell me if there is a range for similar jobs in the organization?"

If you are asked the question during an initial screening interview, you might say that you feel you need to know more about the position's responsibilities before you could give a meaningful answer to that question. Here, too, either by asking the interviewer or search executive (if one is involved), or in research done as part of your homework, you can try to find out whether there is a salary grade attached to the job. If there is, and if you can live with it, say that the range seems right to you.

If the interviewer continues to probe, you might say, "You know that I'm making $______ now. Like everyone else, I'd like to improve on that figure, but my major interest is with the job itself." Remember that the act of taking a new job does not, in and of itself, make you worth more money.

If a search firm is involved, your contact there may be able to help with the salary question. He or she may even be able to run interference for you. If, for instance, he tells you what the position pays, and you tell him that you are earning that amount now and would Like to do a bit better, he might go back to the employer and propose that you be offered an additional 10%.

If no price range is attached to the job, and the interviewer continues to press the subject, then you will have to restpond with a number. You cannot leave the impression that it does not really matter, that you'll accept whatever is offered. If you've been making $80,000 a year, you can't say that a $35,000 figure would be fine without sounding as if you've given up on yourself. (If you are making a radical career change, however, this kind of disparity may be more reasonable and understandable.)

Don't sell yourself short, but continue to stress the fact that the job itself is the most important thing in your mind. The interviewer may be trying to determine just how much you want the job. Don't leave the impression that money is the only thing that is important to you. Link questions of salary to the work itself.

But whenever possible, say as little as you can about salary until you reach the "final" stage of the interview process. At that point, you know that the company is genuinely interested in you and that it is likely to be flexible in salary negotiations.

24. What are your long-range goals?

Refer back to the planning phase of your job search. Don't answer, "I want the job you've advertised." Relate your goals to the company you are interviewing: 'in a firm like yours, I would like to..."

25. How successful do you you've been so far?

Say that, all-in-all, you're happy with the way your career has progressed so far. Given the normal ups and downs of life, you feel that you've done quite well and have no complaints.

Present a positive and confident picture of yourself, but don't overstate your case. An answer like, "Everything's wonderful! I can't think of a time when things were going better! I'm overjoyed!" is likely to make an interviewer wonder whether you're trying to fool him . . . or yourself. The most convincing confidence is usually quiet confidence.

Source: Focus Magazine - /www.datsi.fi.upm.es/~frosal/docs/25mdq.html/

Live Life

Source : The Holstee Manifesto

Necessary

50 Things Everyone Should Know How To Do

by Mark and Angel

Self-reliance is a vital key to living a healthy, productive life. To be self-reliant one must master a basic set of skills, more or less making them a jack of all trades. Contrary to what you may have learned in school, a jack of all trades is far more equipped to deal with life than a specialized master of only one.

While not totally comprehensive, here is a list of 50 things everyone should know how to do.

1. Build a Fire – Fire produces heat and light, two basic necessities for living. At some point in your life this knowledge may be vital.

2. Operate a Computer – Fundamental computer knowledge is essential these days. Please, help those in need.

3. Use Google Effectively – Google knows everything. If you’re having trouble finding something with Google, it’s you that needs help.

4. Perform CPR and the Heimlich Maneuver – Someday it may be your wife, husband, son or daughter that needs help.

5. Drive a Manual Transmission Vehicle – There will come a time when you’ll be stuck without this knowledge.

6. Do Basic Cooking – If you can’t cook your own steak and eggs, you probably aren’t going to make it.

7. Tell a Story that Captivates People’s Attention – If you can’t captivate their attention, you should probably just save your breath.

8. Win or Avoid a Fistfight – Either way, you win.

9. Deliver Bad News – Somebody has got to do it. Unfortunately, someday that person will be you.

10. Change a Tire – Because tires have air in them, and things with air in them eventually pop.

11. Handle a Job Interview – I promise, sweating yourself into a nervous panic won’t land you the job.

12. Manage Time – Not doing so is called wasting time, which is okay sometimes, but not all the time.

13. Speed Read – Sometimes you just need the basic gist, and you needed it 5 minutes ago.

14. Remember Names – Do you like when someone tries to get your attention by screaming “hey you”?

15. Relocate Living Spaces – Relocating is always a little tougher than you originally imagined.

16. Travel Light – Bring only the necessities. It’s the cheaper, easier, smarter thing to do.

17. Handle the Police – Because jail isn’t fun… and neither is Bubba.

18. Give Driving Directions – Nobody likes driving around in circles. Get this one right the first time.

19. Perform Basic First Aid – You don’t have to be a doctor, or genius, to properly dress a wound.

20. Swim – 71% of the Earth’s surface is covered by water. Learning to swim might be a good idea.

21. Parallel Park – Parallel parking is a requirement on most standard driver’s license driving tests, yet so many people have no clue how to do it. How could this be?

22. Recognize Personal Alcohol Limits – Otherwise you may wind up like this charming fellow.

23. Select Good Produce – Rotten fruits and vegetables can be an evil tease and an awful surprise.

24. Handle a Hammer, Axe or Handsaw – Carpenters are not the only ones who need tools. Everyone should have a basic understanding of basic hand tools.

25. Make a Simple Budget – Being in debt is not fun. A simple budget is the key.

26. Speak at Least Two Common Languages – Only about 25% of the world’s population speaks English. It would be nice if you could communicate with at least some of the remaining 75%.

27. Do Push-Ups and Sit-Ups Properly – Improper push-ups and sit-ups do nothing but hurt your body and waste your time.

28. Give a Compliment – It’s one of the greatest gifts you can give someone, and it’s free.

29. Negotiate – The better deal is only a question or two away.

30. Listen Carefully to Others – The more you listen and the less you talk, the more you will learn and the less you will miss.

31. Recite Basic Geography – If you don’t know where anything is outside of your own little bubble, most people will assume (and they are probably correct) that you don’t know too much at all.

32. Paint a Room – The true cost of painting is 90% labor. For simple painting jobs it makes no sense to pay someone 9 times what it would cost you to do it yourself.

33. Make a Short, Informative Public Speech – At the next company meeting if your boss asks you to explain what you’ve been working on over the last month, a short, clear, informative response is surely your best bet. “Duhhh…” will not cut it.

34. Smile for the Camera – People that absolutely refuse to smile for the camera suck!

35. Flirt Without Looking Ridiculous – There is a fine line between successful flirting and utter disaster. If you try too hard, you lose. If you don’t try hard enough, you lose.

36. Take Useful Notes – Because useless notes are useless, and not taking notes is a recipe for failure.

37. Be a Respectful House Guest – Otherwise you will be staying in a lot of hotels over the years.

38. Make a Good First Impression – Aristotle once said, “well begun is half done.”

39. Navigate with a Map and Compass – What happens when the GPS craps out and you’re in the middle of nowhere?

40. Sew a Button onto Clothing – It sure is cheaper than buying a new shirt.

41. Hook Up a Basic Home Theater System – This isn’t rocket science. Paying someone to do this shows sheer laziness.

42. Type – Learning to type could save you days worth of time over the course of your lifetime.

43. Protect Personal Identity Information – Personal identity theft is not fun unless you are the thief. Don’t be careless.

44. Implement Basic Computer Security Best Practices – You don’t have to be a computer science major to understand the fundamentals of creating complex passwords and using firewalls. Doing so will surely save you a lot of grief someday.

45. Detect a Lie – People will lie to you. It’s a sad fact of life.

46. End a Date Politely Without Making Promises – There is no excuse for making promises you do not intend to keep. There is also no reason why you should have to make a decision on the spot about someone you hardly know.

47. Remove a Stain – Once again, it’s far cheaper than buying a new one.

48. Keep a Clean House – A clean house is the foundation for a clean, organized lifestyle.

49. Hold a Baby – Trust me, injuring a baby is not what you want to do.

50. Jump Start a Car – It sure beats walking or paying for a tow truck.

Source: http://www.marcandangel.com/2008/06/02/50-things-everyone-should-know-how-to-do/

Wednesday, April 18, 2012

How to Live

A Happiness tip from Aristotle

Aristotle said:

“We live in deeds, not years; in thoughts not breaths; in feelings, not in figures on a dial. We should count time by heart throbs. He most lives who thinks most, feels the noblest, acts the best.”

Source: Psychology Today

The Way to be Followed Alone

Dokkōdō

The Dokkodo (独行道 Dokkōdō; "The Path of Aloneness" or "The Way to be Followed Alone" or "The Way of Walking Alone") was a work written by Miyamoto Musashi (宮本武蔵) a week before he died in 1645. It is a short work, consisting of either nineteen or twenty-one precepts; precepts 4 and 20 are omitted from the former version. It was largely composed on the occasion of Musashi giving away his possessions in preparation for death, and was dedicated to his favorite disciple, Terao Magonojo (to whom the earlier Go rin no sho had also been dedicated), who took them to heart. It expresses a stringent, honest, and ascetic view of life.

The precepts

Accept everything just the way it is.
Do not seek pleasure for its own sake.
Do not, under any circumstances, depend on a partial feeling.
Think lightly of yourself and deeply of the world.
Be detached from desire your whole life long.
Do not regret what you have done.
Never be jealous.
Never let yourself be saddened by a separation.
Resentment and complaint are appropriate neither for oneself nor others.
Do not let yourself be guided by the feeling of lust or love.
In all things have no preferences.
Be indifferent to where you live.
Do not pursue the taste of good food.
Do not hold on to possessions you no longer need.
Do not act following customary beliefs.
Do not collect weapons or practice with weapons beyond what is useful.
Do not fear death.
Do not seek to possess either goods or fiefs for your old age.
Respect Buddha and the gods without counting on their help.
You may abandon your own body but you must preserve your honour.
Never stray from the Way.

Source: Wikipedia

Tuesday, April 17, 2012

Quite an Act

A Brazilian actor became a big scare last Friday when he nearly died hanged in interpreting the role of Judas in the dramatization of the Passion of Christ in the framework of the celebrations of Easter.

A Klimeck Thiago touched play the role of Judas Iscariot, the apostle who betrayed Jesus on the Mount of Olives. But when he reached the part where you had to hang himself, lost in the guilt of his betrayal, the actor nearly died of truth for error calculations.

The incident occurred last Friday during a skit performed in the town of Itararé, 345 kilometers west of San Pablo. According to witnesses of the scene, and their own cast mates, pulled the rope Klimeck wrong and lost consciousness, but nobody noticed the accident because they believed he was acting.

Therefore, the actor was for more than 20 minutes unconscious and had to be taken to an emergency room first and then was admitted to a medical center Itapeva near Itararé.

Source:Meta Video

Monday, April 16, 2012

Be Hungry! Be Foolish!

Source : http://www.theworldsbestever.com/2011/06/06/33-ways-to-stay-creative/

Sunday, April 15, 2012

The Gap

"The distance between insanity and genius is measured only by success."
- Bruce Feirstein

MISSION ARY??

Tom Cruise’ real name is Thomas Mapother IV. Tom Cruise certainly has a little better ring to it. Interestingly, Cruise actually wanted to be a priest (and not for Scientology). Mapother seems to fit better in that line of work. When he was 14, he even enrolled in seminary. His switch to acting after leaving seminar seems to have worked out for him, on some levels. For instance, with just Mission Impossible 1, 2, and 3, he managed to rake in for himself $220 million, let alone all the other movies he stars in which he earns top dollar.

He once even tied a record with Tom Hanks for the most consecutive $100+ million grossing movies at seven. This record was broken by Will Smith who managed eight consecutive $100+ million movies in the U.S. starting with Men in Black II and ending with Hancock and nine consecutive overall (including Seven Pounds, whose worldwide gross exceeded $100 million, but not the domestic gross). All total, Smith now has 15 movies that grossed over $100 million and $5.73 billion gross total among all his films. Cruise, on the other hand, is pushing over $8 billion total on his films with currently 23 movies that have grossed over $100 million worldwide.

Source: TodayIfoundout.com

Tell Me a Tale

Best First Lines from Novels

1. Call me Ishmael. —Herman Melville, Moby-Dick (1851)

2. It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife. —Jane Austen, Pride and Prejudice (1813)

3. A screaming comes across the sky. —Thomas Pynchon, Gravity's Rainbow (1973)

4. Many years later, as he faced the firing squad, Colonel Aureliano Buendía was to remember that distant afternoon when his father took him to discover ice. —Gabriel García Márquez, One Hundred Years of Solitude (1967; trans. Gregory Rabassa)

5. Lolita, light of my life, fire of my loins. —Vladimir Nabokov, Lolita (1955)

6. Happy families are all alike; every unhappy family is unhappy in its own way. —Leo Tolstoy, Anna Karenina (1877; trans. Constance Garnett)

7. riverrun, past Eve and Adam's, from swerve of shore to bend of bay, brings us by a commodius vicus of recirculation back to Howth Castle and Environs. —James Joyce, Finnegans Wake (1939)

8. It was a bright cold day in April, and the clocks were striking thirteen. —George Orwell, 1984 (1949)

9. It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of Light, it was the season of Darkness, it was the spring of hope, it was the winter of despair. —Charles Dickens, A Tale of Two Cities (1859)

10. I am an invisible man. —Ralph Ellison, Invisible Man (1952)

11. The Miss Lonelyhearts of the New York Post-Dispatch (Are you in trouble?—Do-you-need-advice?—Write-to-Miss-Lonelyhearts-and-she-will-help-you) sat at his desk and stared at a piece of white cardboard. —Nathanael West, Miss Lonelyhearts (1933)

12. You don't know about me without you have read a book by the name of The Adventures of Tom Sawyer; but that ain't no matter. —Mark Twain, Adventures of Huckleberry Finn (1885)

13. Someone must have slandered Josef K., for one morning, without having done anything truly wrong, he was arrested. —Franz Kafka, The Trial (1925; trans. Breon Mitchell)

14. You are about to begin reading Italo Calvino's new novel, If on a winter's night a traveler. —Italo Calvino, If on a winter's night a traveler (1979; trans. William Weaver)

15. The sun shone, having no alternative, on the nothing new. —Samuel Beckett, Murphy (1938)

16. If you really want to hear about it, the first thing you'll probably want to know is where I was born, and what my lousy childhood was like, and how my parents were occupied and all before they had me, and all that David Copperfield kind of crap, but I don't feel like going into it, if you want to know the truth. —J. D. Salinger, The Catcher in the Rye (1951)

17. Once upon a time and a very good time it was there was a moocow coming down along the road and this moocow that was coming down along the road met a nicens little boy named baby tuckoo. —James Joyce, A Portrait of the Artist as a Young Man (1916)

18. This is the saddest story I have ever heard. —Ford Madox Ford, The Good Soldier (1915)

19. I wish either my father or my mother, or indeed both of them, as they were in duty both equally bound to it, had minded what they were about when they begot me; had they duly considered how much depended upon what they were then doing;—that not only the production of a rational Being was concerned in it, but that possibly the happy formation and temperature of his body, perhaps his genius and the very cast of his mind;—and, for aught they knew to the contrary, even the fortunes of his whole house might take their turn from the humours and dispositions which were then uppermost:—Had they duly weighed and considered all this, and proceeded accordingly,—I am verily persuaded I should have made a quite different figure in the world, from that, in which the reader is likely to see me. —Laurence Sterne, Tristram Shandy (1759–1767)

20. Whether I shall turn out to be the hero of my own life, or whether that station will be held by anybody else, these pages must show. —Charles Dickens, David Copperfield (1850)

21. Stately, plump Buck Mulligan came from the stairhead, bearing a bowl of lather on which a mirror and a razor lay crossed. —James Joyce, Ulysses (1922)

22. It was a dark and stormy night; the rain fell in torrents, except at occasional intervals, when it was checked by a violent gust of wind which swept up the streets (for it is in London that our scene lies), rattling along the house-tops, and fiercely agitating the scanty flame of the lamps that struggled against the darkness. —Edward George Bulwer-Lytton, Paul Clifford (1830)

24. It was a wrong number that started it, the telephone ringing three times in the dead of night, and the voice on the other end asking for someone he was not. —Paul Auster, City of Glass (1985)

25. Through the fence, between the curling flower spaces, I could see them hitting. —William Faulkner, The Sound and the Fury (1929)

27. Somewhere in la Mancha, in a place whose name I do not care to remember, a gentleman lived not long ago, one of those who has a lance and ancient shield on a shelf and keeps a skinny nag and a greyhound for racing. —Miguel de Cervantes, Don Quixote (1605; trans. Edith Grossman)

28. Mother died today. —Albert Camus, The Stranger (1942; trans. Stuart Gilbert)

29. Every summer Lin Kong returned to Goose Village to divorce his wife, Shuyu. —Ha Jin, Waiting (1999)

30. The sky above the port was the color of television, tuned to a dead channel. —William Gibson, Neuromancer (1984)

31. I am a sick man . . . I am a spiteful man. —Fyodor Dostoyevsky, Notes from Underground (1864; trans. Michael R. Katz)

32. Where now? Who now? When now? —Samuel Beckett, The Unnamable (1953; trans. Patrick Bowles)

33. Once an angry man dragged his father along the ground through his own orchard. "Stop!" cried the groaning old man at last, "Stop! I did not drag my father beyond this tree." —Gertrude Stein, The Making of Americans (1925)

34. In a sense, I am Jacob Horner. —John Barth, The End of the Road (1958)

35. It was like so, but wasn't. —Richard Powers, Galatea 2.2 (1995)

37. Mrs. Dalloway said she would buy the flowers herself. —Virginia Woolf, Mrs. Dalloway (1925)

38. All this happened, more or less. —Kurt Vonnegut, Slaughterhouse-Five (1969)

39. They shoot the white girl first. —Toni Morrison, Paradise (1998)

40. For a long time, I went to bed early. —Marcel Proust, Swann's Way (1913; trans. Lydia Davis)

41. The moment one learns English, complications set in. —Felipe Alfau, Chromos (1990)

42. Dr. Weiss, at forty, knew that her life had been ruined by literature. —Anita Brookner, The Debut (1981)

43. I was the shadow of the waxwing slain / By the false azure in the windowpane; —Vladimir Nabokov, Pale Fire (1962)

44. Ships at a distance have every man's wish on board. —Zora Neale Hurston, Their Eyes Were Watching God (1937)

45. I had the story, bit by bit, from various people, and, as generally happens in such cases, each time it was a different story. —Edith Wharton, Ethan Frome (1911)

Source:American Book Review

Book It!

Neil Pasricha’s five awesome things about books

No. 5: When your friend returns your book and he or she actually read it.

Man, I’m a master of the Ghost Loan.

This is where I borrow someone’s favourite book and then promptly leave it on my shelf for months without touching it. Sure, I see it, I look at it, I think about it, I want to read it, but I just … don’t. And then I keep it for a while, thinking I’ll eventually get to it, but eventually I just admit defeat and return it unread, unfinished, unsatisfied.

It’s always a sad moment because that’s when your friend looks up at you with wide, eager eyes and asks, “So what did you think of my favourite book in the whole universe, the one I kindly lent you for months on end, depriving myself and other readers of its powerful words so you could enjoy them?”

That is true pain.

Course, that’s why it’s great returning a friend’s book after you actually read the thing. And hey, special props if you even liked it. Now you get to give it back with some extra dents, extra creases and share your thoughts with your pal.

Books are such personal pleasures of secret silent moments between you and the pages. They lift you up, drag you down, and stir emotions and memories deep in your bones. When you return a friend’s favourite book, it’s like you just got to share all those secret silent moments with them too.

AWESOME!

No. 4: The smell of a library.

Come on in.

Pull open the wooden door with those giant, oversized handles that are smooth and worn down to a light brown finish. Drag your boots over the dirty green carpeted floor that bubbles up in the corners and splashes tiny dust clouds into shimmery orange sunbeams with every step. Feel the calm and comforting library quiet settle like a blanket over your body and your brain as you shuffle past the counters and make your way inside …

Massive atlases, worn-out hardcovers, and crinkly plastic-wrapped kids books fill rusty metal bookshelves and cover that overly lacquered table at the front – dented from that time someone smacked it with their wheelchair in 1988. Yellowed pages with pencil lines, cracked bindings and broken spines cover every corner of the place …

Feel our shared histories softly swirl together through old books and stamped checkout cards as you smile and soak up all the little library smells of …

AWESOME!

No. 3: Finding good reading material in someone else’s bathroom.

Bathroom readers of the world, unite!

It doesn’t matter if it’s an old issue of Reader’s Digest on top of the tank, yesterday’s crinkly Globe and Mail on the floor or a dog-eared comic book sitting on the bathroom counter. Nope, all that matters is now we don’t have to read the back of the shampoo bottle over and over again.

Fellow bathroom reader, thank you for heeding the call, thank you for keeping magazines in the stall, and thank you for being so absoflushinglutely

AWESOME!

No. 2: When you open a book to the exact page you were looking for.

You cracked the case.

Seriously, when you pop open that textbook, flip open the yellow pages or split the spine of that beach novel right to the spot you’re looking for, it’s a beautiful moment.

Suddenly you transform into a gloomy trenchcoat-wearing detective who solves the case just by glancing at the crime scene. Yes, the street’s been taped off, someone’s crying under a blanket on the curb, and the cops are filling out witness statements on their notepads.

That’s when you peel up in a navy blue squad car, calmly light up a cigarette and then stare with furrowed eyebrows at the surrounding buildings for a few minutes.

Then you calmly walk back to your cruiser, smile softly and roll your window down at the local police before screaming away down the wet roads.

“Page 127.”

AWESOME!

No. 1: When you’re right near the end of the book.

You’ve been through so much together.

It seems like ages ago when you first cracked her open, flipped past the small-print mumbo jumbo and read that first sentence. Maybe you knew you’d like it or maybe you judged that first page harshly, playing hard to get, eyeing the others on the shelf, seeing if this book was really worth your time.

But then you got sucked in.

Characters grew and a few chapters ended with cliffhangers that kept you up much too late. You laughed as you flipped and flipped on a long flight, your eyes welled at the cottage or you cozied up through big scenes under an old blanket on the front porch.

When you’re right near the end of the book, you feel the anticipation pulsing. You’re sitting still in absolute perfect silence, but it’s amazing how your mind is racing, your heart is pumping and your ears tune out the world around you. Maybe you put the book down to go to the bathroom or grab a glass of water, trying to guess the ending just before you read it: Will she find her mother, will he admit how he feels, will Gryffindor win the House Cup?

Maybe you savour those last few pages, maybe you race right through them, or maybe anticipation gets the best of you and you flip right to the end. Either way, pretty soon you’re closing that book with a satisfying shut and adding it to the freshly read pile on your shelf.

Finishing a book makes you feel good.

You’re almost there.

AWESOME!

Source: The Globe and Mail

The Magic of Words

There are at least 250,000 words in the English language. However, to think that English – or any language – could hold enough expression to convey the entirety of the human experience is as arrogant of an assumption as it is naive.

HERE ARE A FEW examples of instances where other languages have found the right word and English simply falls speechless.

1. Toska

Russian – Vladmir Nabokov describes it best: “No single word in English renders all the shades of toska. At its deepest and most painful, it is a sensation of great spiritual anguish, often without any specific cause. At less morbid levels it is a dull ache of the soul, a longing with nothing to long for, a sick pining, a vague restlessness, mental throes, yearning. In particular cases it may be the desire for somebody of something specific, nostalgia, love-sickness. At the lowest level it grades into ennui, boredom.”

2. Mamihlapinatapei

Yagan (indigenous language of Tierra del Fuego) – “the wordless, yet meaningful look shared by two people who both desire to initiate something but are both reluctant to start” (Altalang.com)

3. Jayus

Indonesian – “A joke so poorly told and so unfunny that one cannot help but laugh” (Altalang.com)

4. Iktsuarpok

Inuit – “To go outside to check if anyone is coming.” (Altalang.com)

5. Litost

Czech – Milan Kundera, author of The Unbearable Lightness of Being, remarked that “As for the meaning of this word, I have looked in vain in other languages for an equivalent, though I find it difficult to imagine how anyone can understand the human soul without it.” The closest definition is a state of agony and torment created by the sudden sight of one’s own misery.

6. Kyoikumama

Japanese – “A mother who relentlessly pushes her children toward academic achievement” (Altalang.com)

7. Tartle

Scottish – The act of hestitating while introducing someone because you’ve forgotten their name. (Altalang.com)

8. Ilunga

Tshiluba (Southwest Congo) – A word famous for its untranslatability, most professional translators pinpoint it as the stature of a person “who is ready to forgive and forget any first abuse, tolerate it the second time, but never forgive nor tolerate on the third offense.” (Altalang.com)

9. Prozvonit

Czech – This word means to call a mobile phone and let it ring once so that the other person will call back, saving the first caller money. In Spanish, the phrase for this is “Dar un toque,” or, “To give a touch.” (Altalang.com)

10. Cafuné

Brazilian Portuguese – “The act of tenderly running one’s fingers through someone’s hair.” (Altalang.com)

11. Schadenfreude

German – Quite famous for its meaning that somehow other languages neglected to recognize, this refers to the feeling of pleasure derived by seeing another’s misfortune. I guess “America’s Funniest Moments of Schadenfreude” just didn’t have the same ring to it.

12. Torschlusspanik

German – Translated literally, this word means “gate-closing panic,” but its contextual meaning refers to “the fear of diminishing opportunities as one ages.” (Altalang.com)

13. Wabi-Sabi

Japanese – Much has been written on this Japanese concept, but in a sentence, one might be able to understand it as “a way of living that focuses on finding beauty within the imperfections of life and accepting peacefully the natural cycle of growth and decay.” (Altalang.com)

14. Dépaysement

French – The feeling that comes from not being in one’s home country.

15. Tingo

Pascuense (Easter Island) – Hopefully this isn’t a word you’d need often: “the act of taking objects one desires from the house of a friend by gradually borrowing all of them.” (Altalang.com)

16. Hyggelig

Danish – Its “literal” translation into English gives connotations of a warm, friendly, cozy demeanor, but it’s unlikely that these words truly capture the essence of a hyggelig; it’s likely something that must be experienced to be known. I think of good friends, cold beer, and a warm fire. (Altalang.com)

17. L’appel du vide

French – “The call of the void” is this French expression’s literal translation, but more significantly it’s used to describe the instinctive urge to jump from high places.

18. Ya’aburnee

Arabic – Both morbid and beautiful at once, this incantatory word means “You bury me,” a declaration of one’s hope that they’ll die before another person because of how difficult it would be to live without them.

19. Duende

Spanish – While originally used to describe a mythical, spritelike entity that possesses humans and creates the feeling of awe of one’s surroundings in nature, its meaning has transitioned into referring to “the mysterious power that a work of art has to deeply move a person.” There’s actually a nightclub in the town of La Linea de la Concepcion, where I teach, named after this word. (Altalang.com)

20. Saudade

Portuguese – One of the most beautiful of all words, translatable or not, this word “refers to the feeling of longing for something or someone that you love and which is lost.” Fado music, a type of mournful singing, relates to saudade. (Altalang.com)

For myself, the hardest part about learning a new language isn’t so much getting acquainted with the translations of vocabulary and different grammatical forms and bases, but developing an inner reflex that responds to words’ texture, not their translated “ingredients”. When you hear the word “criminal” you don’t think of “one who commits acts outside the law,” but rather the feeling and mental imagery that comes with that word.

Thus these words, while standing out due to our inability to find an equivalent word in out own language, should not be appreciated for our own words that we try to use to describe them, but for their own taste and texture. Understanding these words should be like eating the best slab of smoked barbequeued ribs: the enjoyment doesn’t come from knowing what the cook put in the sauce or the seasoning, but from the full experience that can only be created by time and emotion.

Source:Matador Network